Bishops give go-ahead to diocese’s Sister Thea Bowman sainthood effort

By Mark Pattison
BALTIMORE (CNS) – The U.S. bishops gave their assent to the canonization effort launched for Sister Thea Bowman by the Diocese of Jackson, Mississippi.
The assent, on a voice vote, came Nov. 14, the third day of their fall general meeting in Baltimore. The “canonical consultation” with the body of U.S. bishops is a step in the Catholic Church’s process toward declaring a person a saint.
Sister Bowman, a Mississippi native and the only African-American member of her order, the Wisconsin-based Franciscan Sisters of Perpetual Adoration, was a widely known speaker, evangelizer and singer until she died of cancer in 1990 at age 52. She even made a presentation at the U.S. bishops’ spring meeting in 1989, moving some prelates to tears.
“The faithful in, and well beyond, the Diocese of Jackson,” have asked for her canonization process to begin, said Bishop Joseph R. Kopacz of Jackson, who became bishop of the diocese in 2014. “Even well before I arrived in Jackson, the requests were coming in.”
Sister Bowman, Bishop Kopacz said, was “an ambassador of Jesus Christ and an apostle of reconciliation,” adding she was “singing, teaching and inspiring until the very end.”
He noted that “the church embraced Sister Thea from her early years, but there were times when she felt like a motherless child.” It never deterred her, though, Bishop Kopacz said. “We pray that Sister Thea’s voice will be a beacon of hope” to victims of clergy sexual abuse.
Bishop Kopacz liberally sprinkled his remarks with quotes from Sister Bowman.
“We unite ourselves with Christ’s redemptive work when we make peace, when we share the good news of God within our hearts,” she once said. “We celebrate the presence and proclamation of the word made flesh. It is never an escape from reality,” she also said.
At another point, Sister Bowman told her audience, “Go! There is a song that will never be sung unless you sing it. … Go tell the world, go preach the Gospel, go tell the good news.”
Sister Bowman was a trailblazer in almost every role: first African-American religious sister from Canton, Mississippi; the first to head an office of intercultural awareness; and the first African-American woman to address the U.S. Conference of Catholic Bishops.
Sister Bowman led the Jackson Diocese’s Office of Intercultural Awareness, taught at several Catholic high schools and colleges, and was a faculty member of the Institute of Black Catholic Studies at Xavier University in New Orleans.
She took her message across the nation, speaking at church gatherings and conventions, making 100 speaking engagements a year, but spreading cancer slowed her. Music was especially important to her. She would gather or bring a choir with her and often burst into song during her presentations.
In addition to her writings, her music also resulted in two recordings, “Sister Thea: Songs of My People” and “Round the Glory Manger: Christmas Songs and Spirituals.”
When Sister Bowman spoke at the U.S. bishops’ meeting in June 1989, less than a year before her death from bone cancer and confined to a wheelchair, she was blunt. She told the bishops that people had told her black expressions of music and worship were “un-Catholic.”
Sister Bowman disputed that notion, pointing out that the church universal included people of all races and cultures and she challenged the bishops to find ways to consult those of other cultures when making decisions. She told them they were obligated to better understand and integrate not just black Catholics, but people of all cultural backgrounds.
Catholic News Service reported that her remarks “brought tears to the eyes of many bishops and observers.” She also sang to them and, at the end, had them all link hands and join her in singing “We Shall Overcome.”
Boston Cardinal Sean P. O’Malley, who served as bishop of the Diocese of St. Thomas in the U.S. Virgin Islands from 1985 to 1992, said Nov. 14 that Catholics in his former diocese “really revere Sister Thea and I’m really glad to see this coming to fruition.”
By the mid-1990s, Catholic schools in Jackson, Mississippi, Gary, Indiana, East St. Louis, Illinois, and Port Arthur, Texas, opened bearing Sister Bowman’s name.
She also was the focus of books, including 1993’s “Thea Bowman: Shooting Star – Selected Writings and Speeches,” 2008’s “This Little Light: Lessons in Living From Sister Thea Bowman,” and 2010’s “Thea’s Song: The Life of Thea Bowman.”
Redemptorist Father Maurice Nutt, observing the 20th anniversary of Sister Bowman’s death in 2010, said he believes the late nun is a saint. Though not officially canonized, “Sister Thea is canonized in the hearts of all who knew and loved her,” he said.

(Coverage of the planned Nov. 18 Mass at the Cathedral will appear in the next edition.)

Renowned for her preaching, she took her message across the nation

By Mark Pattison
WASHINGTON – The U.S. bishops will consider endorsing the sainthood cause of Sister Thea Bowman, the great-granddaughter of slaves and the only African-American member of the Franciscan Sisters of Perpetual Adoration, who transcended racism to leave a lasting mark on Catholic life in the United States in the late 20th century.
The request from Bishop Joseph R. Kopacz of Jackson – where Sister Bowman grew up and also where she ministered in her last years while taking care of her aging parents while subsequently fighting cancer herself – will be considered during the bishops’ Nov. 12-14 fall general meeting in Baltimore.
In ecclesiological terms, Bishop Kopacz is asking whether it is advisable to initiate the sainthood cause at the local level, which is required by a 2007 instruction from the Vatican’s Congregation for the Causes of Saints. Sister Bowman has been declared a “servant of God.”


“Consideration of the opportuneness of advancing the cause on the local level is an important expression of episcopal collegiality, and a helpful indicator of the servant of God’s ‘fama sanctitatis,'” or “odor of sanctity,” said a letter by Bishop Robert P. Deeley of Portland, Maine, chairman of the U.S. bishops” Committee on Canonical Affairs and Church Governance.
The Jackson Diocese plans to celebrate a special Mass Nov. 18 at the Cathedral of St. Peter the Apostle, during which the edict that opens the investigation into her life will be read.
Sister Bowman was a trailblazer in almost every role: first African-American religious sister from Canton, Mississippi, first to head an office of intercultural awareness, and the first African-American woman to address the U.S. Conference of Catholic Bishops.
Bertha Bowman was born in Yazoo City, Mississippi, the daughter of a doctor and a teacher. She attended Canton Holy Child Jesus School, and at age eight decided she wanted to become a Catholic. She knew by her early teenage years that she was called to consecrated life.
She studied at Viterbo College in La Crosse, Wisconsin, while preparing to enter the convent. She went on to study at The Catholic University of America in Washington. She returned to Canton to teach and inspire the people in her community.
Sister Bowman led the Jackson Diocese’s Office of Intercultural Awareness, taught at several Catholic high schools and colleges, and was a faculty member of the Institute of Black Catholic Studies at Xavier University in New Orleans.
Renowned for her preaching, she took her message across the nation, speaking at church gatherings and conventions, making hundreds of speaking engagements a year until spreading cancer slowed her. Music was especially important to her. She would gather or bring a choir with her and often burst into song during her presentations.
In addition to her writings, her music also resulted in two recordings, “Sister Thea: Songs of My People” and “Round the Glory Manger: Christmas Songs and Spirituals.”
When Sister Bowman spoke at the U.S. bishops’ meeting in June 1989, less than a year before her death from bone cancer and confined to a wheelchair, she was blunt. She told the bishops that people had told her black expressions of music and worship were “un-Catholic.”
Sister Bowman challenged that notion, pointing out that the church universal included people of all races and cultures and she challenged the bishops to find ways to consult those of other cultures when making decisions. She told them they were obligated to better understand and integrate not just black Catholics, but people of all cultural backgrounds.
Catholic News Service reported that her remarks “brought tears to the eyes of many bishops and observers.” She also sang to them and, at the end, had them all link hands and join her in singing “We Shall Overcome.”
That fall, the Thea Bowman Foundation was founded to support black Catholic education at all levels. In its first year, the foundation gave scholarships to 46 black students at U.S. Catholic colleges and universities. It also established an annual award for outstanding contributions to black Catholic education.
Less than a week before her death at age 52 in March 1990, she was announced as the winner of the Laetare Medal, awarded by the University of Notre Dame. Other honors included the American Cancer Society’s Courage Award, given at the White House in 1988, and U.S. Catholic magazine’s U.S. Catholic Award in 1989 for contributions to the advancement of women in church and society.
At her funeral Mass in Jackson, Father John Ford, a member of the Missionary Servants of the Most Holy Trinity and a longtime friend of the nun who served as homilist, told the 1,000 mourners who packed the church: “We must find ways to imitate this woman. No other one is coming. We need to find ways to imitate Thea.”
In what was likely her last writing – a posthumously published column in Mississippi Today, the Jackson diocesan newspaper – she asked readers to observe Holy Week “see the Son of Man riding on an ass’ colt, to feel the press of the crowd, to be caught up in the ‘Hosannas,'” and then as Holy Week goes on, to “watch as Jesus is sentenced by Pilate to Calvary, to see him rejected, mocked, spat upon, beaten and forced to carry a heavy cross, to hear the echo of the hammer, to feel the agony of torn flesh and strained muscles, to know Mary’s anguish.”
By the mid-1990s, Catholic schools in Gary, Indiana, East St. Louis, Illinois, and Port Arthur, Texas opened bearing her name.
She also was the focus of several books, including 1993’s “Thea Bowman: Shooting Star – Selected Writings and Speeches,” 2008’s “This Little Light: Lessons in Living From Sister Thea Bowman,” and 2010’s “Thea’s Song: The Life of Thea Bowman.”
Redemptorist Father Maurice Nutt, observing the 20th anniversary of Sister Bowman’s death in 2010, said he believes the late nun is a saint. Though not officially canonized, “Sister Thea is canonized in the hearts of all who knew and loved her,” he said.

(Follow Pattison on Twitter: @MeMarkPattison)

Bishops to consider endorsing sainthood cause of Sister Thea Bowman

By Mark Pattison
WASHINGTON – The U.S. bishops will consider endorsing the sainthood cause of Sister Thea Bowman, the great-granddaughter of slaves and the only African-American member of the Franciscan Sisters of Perpetual Adoration, who transcended racism to leave a lasting mark on Catholic life in the United States in the late 20th century.
The request from Bishop Joseph R. Kopacz of Jackson – where Sister Bowman grew up and also where she ministered in her last years while taking care of her aging parents while subsequently fighting cancer herself – will be considered during the bishops’ Nov. 12-14 fall general meeting in Baltimore.


In ecclesiological terms, Bishop Kopacz is asking whether it is advisable to initiate the sainthood cause at the local level, which is required by a 2007 instruction from the Vatican’s Congregation for the Causes of Saints. Sister Bowman has been declared a “servant of God.”
“Consideration of the opportuneness of advancing the cause on the local level is an important expression of episcopal collegiality, and a helpful indicator of the servant of God’s ‘fama sanctitatis,'” or “odor of sanctity,” said a letter by Bishop Robert P. Deeley of Portland, Maine, chairman of the U.S. bishops” Committee on Canonical Affairs and Church Governance.
The Jackson Diocese plans to celebrate a special Mass Nov. 18 at the Cathedral of St. Peter the Apostle, during which the edict that opens the investigation into her life will be read.
Sister Bowman was a trailblazer in almost every role: first African-American religious sister from Canton, Mississippi, first to head an office of intercultural awareness, and the first African-American woman to address the U.S. Conference of Catholic Bishops.
Bertha Bowman was born in Yazoo City, Mississippi, the daughter of a doctor and a teacher. She attended Canton Holy Child Jesus School, and at age eight decided she wanted to become a Catholic. She knew by her early teenage years that she was called to consecrated life.
She studied at Viterbo College in La Crosse, Wisconsin, while preparing to enter the convent. She went on to study at The Catholic University of America in Washington. She returned to Canton to teach and inspire the people in her community.
Sister Bowman led the Jackson Diocese’s Office of Intercultural Awareness, taught at several Catholic high schools and colleges, and was a faculty member of the Institute of Black Catholic Studies at Xavier University in New Orleans.
Renowned for her preaching, she took her message across the nation, speaking at church gatherings and conventions, making hundreds of speaking engagements a year until spreading cancer slowed her. Music was especially important to her. She would gather or bring a choir with her and often burst into song during her presentations.
In addition to her writings, her music also resulted in two recordings, “Sister Thea: Songs of My People” and “Round the Glory Manger: Christmas Songs and Spirituals.”
When Sister Bowman spoke at the U.S. bishops’ meeting in June 1989, less than a year before her death from bone cancer and confined to a wheelchair, she was blunt. She told the bishops that people had told her black expressions of music and worship were “un-Catholic.”
Sister Bowman challenged that notion, pointing out that the church universal included people of all races and cultures and she challenged the bishops to find ways to consult those of other cultures when making decisions. She told them they were obligated to better understand and integrate not just black Catholics, but people of all cultural backgrounds.
Catholic News Service reported that her remarks “brought tears to the eyes of many bishops and observers.” She also sang to them and, at the end, had them all link hands and join her in singing “We Shall Overcome.”
That fall, the Thea Bowman Foundation was founded to support black Catholic education at all levels. In its first year, the foundation gave scholarships to 46 black students at U.S. Catholic colleges and universities. It also established an annual award for outstanding contributions to black Catholic education.
Less than a week before her death at age 52 in March 1990, she was announced as the winner of the Laetare Medal, awarded by the University of Notre Dame. Other honors included the American Cancer Society’s Courage Award, given at the White House in 1988, and U.S. Catholic magazine’s U.S. Catholic Award in 1989 for contributions to the advancement of women in church and society.
At her funeral Mass in Jackson, Father John Ford, a member of the Missionary Servants of the Most Holy Trinity and a longtime friend of the nun who served as homilist, told the 1,000 mourners who packed the church: “We must find ways to imitate this woman. No other one is coming. We need to find ways to imitate Thea.”
In what was likely her last writing – a posthumously published column in Mississippi Today, the Jackson diocesan newspaper – she asked readers to observe Holy Week “see the Son of Man riding on an ass’ colt, to feel the press of the crowd, to be caught up in the ‘Hosannas,'” and then as Holy Week goes on, to “watch as Jesus is sentenced by Pilate to Calvary, to see him rejected, mocked, spat upon, beaten and forced to carry a heavy cross, to hear the echo of the hammer, to feel the agony of torn flesh and strained muscles, to know Mary’s anguish.”
By the mid-1990s, Catholic schools in Gary, Indiana, East St. Louis, Illinois, and Port Arthur, Texas opened bearing her name.
She also was the focus of several books, including 1993’s “Thea Bowman: Shooting Star – Selected Writings and Speeches,” 2008’s “This Little Light: Lessons in Living From Sister Thea Bowman,” and 2010’s “Thea’s Song: The Life of Thea Bowman.”
Redemptorist Father Maurice Nutt, observing the 20th anniversary of Sister Bowman’s death in 2010, said he believes the late nun is a saint. Though not officially canonized, “Sister Thea is canonized in the hearts of all who knew and loved her,” he said.

(Follow Pattison on Twitter: @MeMarkPattison)

Formal opening set for Sister Thea’s cause

The Faithful of the Diocese of Jackson are cordially invited to hear Bishop Joseph R. Kopacz
read the edict opening the investigation into the life of Sister Thea Bowman, FSPA, servant of God.
Sunday, Nov. 18, 10:30 a.m.
Cathedral of St. Peter the Apostle

Mass will follow the reading. Special hotel rates available: https://bit.ly/2D5ab2b

Foundation to honor Sister Thea Bowman, other women of courage


By Maureen Smith
JACKSON – A Jackson-based foundation will honor Sister Thea Bowman, FSPA, as one of five women of courage during their Women’s History Month gala with the theme “Women of Courage and Strength: nevertheless, she persisted.” The Connecting the Dots Foundation raises money to support other non-profits. This gala will support scholarships and historic preservation.
Sister Thea will be honored for her work to advance the appreciation of diversity within the faith community. Among the other women to be honored at the gala: Dr. Helen Barnes, the first African American woman on faculty at the University of Mississippi Medical Center; Eliza Pillars, the first African American public health nurse; Beth Orlansky, an attorney with the Mississippi Center for Justice; and Pam Johnson, author and community activist.
The Diocese of Jackson is one of the sponsors of the event which is set for Saturday, March 24, at 6 p.m. at the downtown Jackson Marriott. Tickets are $100 each. Those who wish to support the event, but cannot attend can donate tickets for local students to use. Dress is formal. Tickets are available through the Ticketmaster service by calling (800) 745-3000. For sponsorship details call Marilyn Luckett at (601) 813-5045.

Research begins on Sister Thea Bowman

By Maureen Smith
JACKSON – Bishop Joseph Kopacz has appointed Redemptorist Father Maurice Nutt to begin researching the life, writings and works of Sister Thea Bowman, FSPA, in what may well be her first step on the road to sainthood. Father Nutt will travel to and from his home in New Orleans to the Diocese of Jackson for the time being.
This does not officially open a cause for canonization, but is a preliminary step prior to opening a cause. Since February is Black History Month, the appointment seems all that much more timely.
Sister Thea, the granddaughter of a slave, was born Bertha Bowman in 1937 in Yazoo City. Her family moved to Canton where she enrolled in Holy Child Jesus school. She decided to become Catholic at the age of nine. A few years later she asked to join the Franciscan Sisters of Perpetual Adoration and became the first African-American member of the order.
Sister Thea was a gifted teacher and vocalist. She earned a doctorate in literature and traveled the world – taking students to England and visiting Africa to connect with her own heritage. As she taught, sang and experienced life, she began to form a theology of diversity and inclusion that would become the hallmark of her public life. The late Bishop William Houck invited her to be a consultant for intercultural awareness in the Diocese of Jackson. Even while working in Mississippi, Sister Thea traveled the country teaching workshops on music and speaking about the importance of diversity in the church. Her influence both in and outside of the church was tremendous. She appeared on the television newsmagazine 60 Minutes. Harry Belefonte met with her in hopes of producing a movie about her life. She was one of the most sought-after speakers in the country.
She was diagnosed with breast cancer in 1984. As the cancer worked its way into her bones, she continued to maintain a grueling travel schedule, praying to ‘live until I die.’ One of her last public appearances, delivered from a wheelchair, was speaking to the U.S. Conference of Catholic Bishops. She told them she was ‘fully black and fully Catholic,’ and urged them to embrace their African-American, Vietnamese, Native American and other cultural flocks and their customs and music. Sister Thea believed the church could welcome diversity and uphold tradition. She closed her speech by getting the men to stand, link arms and sing the Spiritual ‘We Shall Overcome.’
Sister Thea died in 1990. She is buried in Memphis. Not long after her death, many of her friends wondered if they had known a saint. In the past year or so, rumors spread that Sister had been declared a servant of God. She had not, but it was one more sign that this case might merit a closer look.
Father Nutt met Sister Thea as his teacher, but he now calls her his spiritual mother. He has written two books about her – one will be published this summer – and he often includes reflections on her life in his missions and workshops. His job right now is to research and document her life. Much of this work is already done since he has written about her, but this is an opportunity to gather her writings and records and organize it all in one place.
The first step on the path to sainthood is to determine if a person has ‘heroic virtues.’ Father Nutt will begin to assemble a file – something a little more in-depth than the usual biography – for Bishop Kopacz to review. “I’d love to find every place named for her,” said Father Nutt. The diocese has a school named for Sister Thea, one of half a dozen nation-wide. He has come across shrines dedicated to Sister Thea as close as New Orleans and as far away as Oakland, Calif. The Franciscan Sisters have a foundation in her honor as well as an extensive archive of material.
Father Nutt will review their holdings as well as what is housed in the archives in Jackson as part of his work. The next step, probably months down the road, will be for the bishop to ask the U.S. Conference of Catholic Bishops for input on opening a formal cause for sainthood. If the bishops agree, the case can go to Rome to be opened and the diocese will have to raise money to support it. The cost of canonization can run into the million dollar range.
That’s when work begins in earnest. Once the cause is opened, the promoter will begin telling Sister Thea’s story and encouraging people to pray for her intersession in hopes of producing a miracle. A second miracle is required before the church will canonize a saint.
The whole process of canonization can take decades to complete. Father Nutt is confident he can start by finding Sister Thea’s heroic virtues and see where the Holy Spirit leads after that.

Thea’s Turn to be staged in Canton

CANTON – The life of Canton native Sister Thea Bowman comes to life on stage in her hometown thanks to a performance of “Thea’s Turn” on Saturday, April 22, at 7:00 p.m. at the Canton High School Auditorium. The project has been declared an official state bicentennial project.

“Thea’s Turn” has strong ties to Canton beyond just Sister Thea’s upbringing. The play’s author, Mary Queen Donnelly, knew the title character while the two grew up in Canton. Canton native, Dr. Mark Henderson, chair of the department of speech, communication and theatre at Jackson State University, serves as executive director. The cast and crew include members of the nationally acclaimed MADDRAMA, an award winning drama troupe under his direction.

The play tells the story of Sister Thea Bowman from her childhood as Bertha Bowman through her conversion to Catholicism and vocation to religious life all the way to the discovery of cancer and her death. The scenes include periods from the late 1940’s through late 1989. Flonzie Brown-Wright, a classmate and playmate of Bertha (Sister Thea), saw the play in Madison during the summer of 2015 and thought it should be staged in Canton. She enlisted the help of Jana Padgett-Dear, executive director of the Canton Convention and Visitors Bureau. Padgett-Dear immediately agreed because in part, it continues her personal commitment to increase the awareness of Sister Thea’s life.

During the spring and summer of 2016, she spent endless hours working with Brown-Wright to update the large display of Sister Thea’s artifacts displayed at the Multicultural Center in town. Incidentally, Padgett-Dear never met Thea, but has been inspired by what she has read and heard about her.

The play attempts to capture the essence of Thea’s struggle of what it meant to be black and Catholic” and her ultimate decision to reconcile Bertha, the great- granddaughter of a slave, and her African American culture with that of the all- white, traditional culture of the Franciscan Sisters of Perpetual Adoration in La Crosse, Wis., where she was Sister Thea.

The play gives the viewer a broader understanding of the complexities of the multifaceted Thea. Donnelly used music to portray different periods of Thea’s life. Being a singer, Spirituals and Gospel songs allowed Bertha to remain connected to her southern heritage, while her appreciation for traditional Latin chant and church music gave her the opportunity to remain true to her beliefs as a Catholic sister.

The advisory committee for this production includes a number of people who knew Thea personally during their days at Holy Child Jesus School and Church, either as classmates, students, priests, parishioners, or members of the Thea Bowman Choir.

“Thea’s Turn” first premiered in New Orleans, LA and later in Madison, MS.

Readings continue as far away as New York City.

This official bicentennial project was made possible by a grant from the Mississippi Humanities through support from the Mississippi Development Authority.

To reserve seating and for more information contact: jana@cantontourism.com or call (601) 859-1307.

(Story submitted by Flonzie Brown-Wright)

Members of the award-winning drama troupe MADDRAMA will perform the play Thea’s Turn in Canton April 21 and 22. (Photo courtesy of Mark Henderson)

Thea’s Turn to be staged in Canton

Thea’s Turn to be staged in Canton

Thea’s Turn to be staged in Canton

Thea’s Turn celebrates life, legacy of local leader

By Maureen Smith
MADISON – In honor of the 25th anniversary of the death of Sister Thea Bowman, FSPA, the Office of Black Catholic Ministry for the Diocese of Jackson is sponsoring a staging of the play “Thea’s Turn.” The show was written by Mary Queen Donnelly, a childhood friend of Sister Bowman.
Sister Thea Bowman was a Mississippi native who rose to national prominence with her tireless campaign to promote diversity in the church. She used her own experience of learning about and embracing African American culture to teach that each ethnic and racial group has gifts to offer the church. Sister Bowman used song, storytelling and her extensive education to deliver her message.

Idella Johnson, left, Marcia Peyton and Tione Johnson play Sister Thea, Sister Charlotte and Bertha Bowman in the New Orleans production of Thea's Turn. The adult Sister Thea Bowman and the child Bertha Bowman are on stage together representing the conflicts Bowman faced in her life.

Idella Johnson, left, Marcia Peyton and Tione Johnson play Sister Thea, Sister Charlotte and Bertha Bowman in the New Orleans production of Thea’s Turn. The adult Sister Thea Bowman and the child Bertha Bowman are on stage together representing the conflicts Bowman faced in her life. ( photo by Marcia Peyton)

The play is a retelling of Sister Bowman’s life. Donnelly said she wanted to portray the conflict Sister Bowman faced and overcame when she tried to reconcile her rich African American cultural background with her desire to be a nun in an all-white, traditional Catholic community. Sister loved her culture and her church. The conflict takes the form of arguments between the adult Sister Thea Bowman and the child Bertha Bowman. “It’s sort of a conflict we all have,” explained Donnelly. The play also features two choirs, a gospel choir and a choir singing pre-Vatican II style liturgical music.
“It’s not a musical, but it is filled with music, because Thea was. She would sometimes burst into song, even during interviews,” said Donnelly. Donnelly said Sister Bowman did not want a blend of African-American and white cultural experiences, she wanted both groups to appreciate and celebrate the other. She wanted people of all racial and cultural backgrounds to recognize their unique ways of worshipping, singing and living and share that diversity with others.
“I just think it’s a great story. I like the way Mary (Donnelly) juxtaposes the solemn, formal worship practices of the church with the praise and hands-in-the-air style worship of Southern Baptist or other Southern churches,” Director Chris Roebuck, education director at New Stage Theater said of the play. He said he considers all of his actors storytellers and wants the process of staging the play to be a collaborative effort. “I want them to find the reality and truth in the story and play that,” he explained.
Roebuck held local auditions to fill the roles in the play, saying he would be looking for people who can embrace the spirit of the show.022015thea04
Donnelly and Bowman grew up in the same town, Canton, but lived very different lives. Bowman was the only child of a modest black family while Donnelly was one of six children in a white family. The girls knew one another from attending Holy Child Jesus Parish together, but did not stay in close touch after Donnelly left to attend boarding school in New Orleans and Bowman left to join the Franciscan Sisters of Perpetual Adoration in La Crosse, Wisconsin.
The two reconnected years later when Sister Bowman was in New Orleans to teach at Xavier University’s Institute for Black Catholic Studies. Donnelly was a columnist at that time for the New Orleans Times Picayune. Sister Bowman already had cancer and although she was keeping up with a busy travel and teaching schedule, she had to rest often during her trips to keep up enough energy to give her presentations.
“I asked my editor if I could write a feature about Sister Thea,” said Donnelly. “I spent three days with her. You didn’t just interview Thea – you followed her!” said Donnelly with a chuckle. She attended the classes Sister Bowman taught, went to liturgies with her and sat at her bedside when Sister Bowman was exhausted from her activities.
“She really wanted me to hear her story. She knew her time was limited,” said Donnelly. After she wrote her story, Donnelly continued to keep in touch with her friend from childhood.
After Sister Bowman died, Donnelly wrote several remembrances of her, including one for America Magazine. The play came later, at the suggestion of Sister Bowman’s long-time caretaker Sister Dorothy Ann Kundinger, FSPA. “I tell stories in dialogue. I had so many interviews with her. I felt this urgency in Thea,” explained Donnelly. “I thought Thea wanted to be on stage. She was such a dramatist,” she added.
Much of the dialogue is quotes from Donnelly’s interview notes. “I used her words. Most of the play is from private conversations,” she said.
The play has been performed in New Orleans, New York and won a new play competition at the New Stage Theater in Jackson. Some of those performances were just staged readings, but the one in New Orleans was a complete play.
“I learned of the play several years back when it was featured in New Orleans. I caught it there and it was amazing,” said Will Jemison, coordinator for the Office of Black Catholic Ministry. “I think it’s great that the diocese Sister Thea served in will finally have a chance to feature her and educate a new generation about her steadfastness of faith, in spite of so many challenges,” he added.
Donnelly is also thrilled to bring the play to Sister Bowman’s home diocese. The playwright has moved back to Canton and is glad to be closer to the community where she grew up.
Sister Thea has been gone for 25 years, but Donnelly said her legacy is an important one. “I think she has a big message for people. We need her.”
One of the themes Donnelly thought was so important to Sister Bowman’s work was that each individual has a gift to offer. It might be why the nun loved the song ‘this little light of mine,’ which plays a role in the production. “People think they have to do big things, but everyone has a little light they can shine for humanity,” said Donnelly.
Thea’s Turn will be staged at the Fine Arts Center at Madison St. Joseph High School Friday and Saturday April 10-11, at 7 p.m. and Sunday, April 12, at 2 p.m. Tickets are $10 each and can be reserved by emailing theasturntickets@gmail.com.

Artist donates to drawdown


Brother McGrath donated this painting of Sr. Thea Bowman to her namesake school while here for a visit. (Photo by Fabvienen Taylor)

JACKSON – Brother Mickey McGrath presented four workshops for different groups around the diocese during a visit the week of April 6. First, he led a workshop at the diocesan school principals’ retreat where administrators drew mandalas using different symbols and then talked about the meaning of each.

Then he joined 90 people, 45 at Madison St. Francis of Assisi School and another 45 the next day at Tupelo St. James Parish to present a Lenten retreat called “Cloud of Witnesses,” where they talked about saints and holy people in the church.

Before he left, Brother McGrath gave a workshop to the students, staff and faculty at Jackson Sister Thea Bowman School and donated one of his paintings of Sister Thea to the school for the drawdown, which is set for Saturday, April 26, at 6:30 p.m. For information on the drawdown, call the school, 601-352-5441.